THE INDEPENDENT VOICE OF THE VISUAL ARTS
Welcome to the official website of the New Art Examiner. This site allows you to view all content that is in our printed version for free. We also have an archive of past issue PDFs that you can access, including the current issue.
Subscriptions entitle you to the printed versions of the New Art Examiner four times a year. You may subscribe online via PayPal. To donate to our effort and support the magazine, you may also donate via PayPal, on a one time or monthly basis.
The New Art Examiner's Quarterly Theme
As announced, the New Art Examiner has changed format from a bimonthly to a quarterly journal with a quarterly theme. Our Autumn quarter theme was Art Redistributed?, a broad theme that includes, in part, the reorganization of the economic distribution of art through non-gallery/museum systems, the change in art audience due to a distribution change, the change in the critical ”certification” of art. This Winter quarter theme is Digital Freedom or silicon serfdom and addresses the effects of technology on the visual arts community.
The Autumn quarter print version is available in the PDF (Vol 35 No 2) on our Archive page which can be downloaded for free. The Winter quarter print version (Vol 35 No 3) will be available in April.
ATTENTION SCHOLARS a print archive from 1973 to the present is now available for searching and scanning on request. Send your requests to email@example.com. We will scan the article and send you a PDF.
DONATE MONTHLY to the New Art Examiner or make a ONE-TIME DONATION via PayPal
SUBSCRIBE to our print version via PayPal
Winter Quarter (Jan./Feb./Mar.) 2021 Features
On Art and Social Media:
An Interview with Doug Aitken
NATHAN WORCESTER talks to artist and filmmaker Doug Aitken about Instagram, the history of the moving image, and more.
Three Artists Engage with
K.A. LETTS shows us how 3 young artists are critically engaging with digital technology and the Internet.
"Never Still in the Wind":
An Interview with Gary Justis
NEIL GOODMAN interviews fellow sculptor Gary Justis as they reflect on Gary’s half-century career as a tech-focused artist
Tech Meets Object
KELLI WOOD interviews two Duke University professors who are using scientific imaging to explore new forms of artistic curation.
Winter Quarter (Jan./Feb./Mar.) 2021 Reviews
"New Work/New Year"
MARIWYN CURTIN examines pandemic-influenced production from 15 artists at the David Klein Gallery in Detroit.
K.A. LETTS considers the work of leading Ohio artist Natalie Lanese at River House Arts in Toledo.
Warriors of the Apocalypse
NATHAN WORCESTER takes in Bryan Sperry’s dystopian vision at the artist’s Pilsen studio and gallery.
EVAN CARTER explores Robert Chase Heishman’s outsourced image production at Elastic Arts.
TENLEY BICK reviews the Atlanta Biennial, which encompasses a broader definition of contemporary work and concerns in the American Southeast.
MICHEL SEGARD discusses the embedded political meanings of Adam Daley Wilson's work at Chicago's Aspect/Ratio.
Autumn Quarter (Oct./Nov./Dec.) 2020 Online Features
Money Moves for the Alternative Art World
NATO THOMPSON offers his clear-eyed view on fine art and money, pointing to the D.C. hardcore scene as a model for alternative systems.
Art Handler Confidential
An anonymous art handler tells all, shining a light on exploitation, inequality, and greed in the industry.
The Money Power and Art
DIANE THODOS critiques neoliberalism, explaining how current economic realities have undermined progress in the visual arts.
Essay'd: A New Model for Art Writing
An arts writing project that aims to provide cultural context and critical coverage through "cultural crowd-sourcing."
Autumn Quarter (Oct./Nov./Dec.) 2020 Reviews
Ongoingness in the Los Angeles Piñata District through Dulce Soledad Ibarra’s “9th to Olympic”
"Graft" Edra Soto at the MCP
FRANCINE ALMEDA reacts to
Edra Soto’s “Graft,” an exhibition
at the Museum of Contemporary Photography.
Works on paper at Rhona Hoffman Gallery.
Three Detroit Latina artists.
Summer Quarter (Jul./Aug./Sep.) 2020 Online Features
The Art of the Black Lives Matter Movement
BLM related street and wall murrals from around the country.
It Can Happen Here
Stephen Eisenman and artist Sue Coe examine the similarities between Germany in the 1930s and today's political atmosphere.
Paul Moreno recounts the history of art by the artist collective Gran Fury in conjunction with ACT UP in the AIDS protest movement of the 1980s and '90s.
Kelli Wood examines the response of Tennesee artists to the current political turmoil.
Tom Noble analyzes iconoclasm since the eighth century and how it has been expressed in art.
A look at the memorial for Confed-erate prisoners of war that died at Fort Douglas during the Civil War.
Summer Quarter (Jul./Aug./Sep.) 2020 Online Reviews
Luis Martin looks at the work of Moreno with an eye to its political significance in the LGBTQ community.
Nathan Worcester reviews the writings of the late Palestinian artist and activist Kamal Boullata.
K.A. Letts reviews prominent Detroit artist Sabrina Nelson's recent exhibition.
Spring Quarter (May/June) 2020 Online Features and Reviews
The Plague Review
K.A. Letts examines the first issue of The Plague Review, an online publication by Rotland Press devoted to the artistic response to the cornavirs pandemic.
Covid-19 vs. The Art Field
Phil Barcio examines the effects of the coronavirus pandemic on the the alternative arts scene in Chicago. (feature)
Culture in Quarantine: Seven Interviews from Chicago
Evan Carter interviewed seven Chicago art world members about being confined due to the COVID-19 pandemic. Below are the first three. the next four will appear next quarter.
Nate Lewis: "Latent Tapestries"
At Fridman Gallery, NYC
(online exhibition review)
Virtual Visual Culture
Emelia Lehmann examines the effects of the Covid-19 Pandemic on three major chicago institutions. (feature)
At Galerie Templon, Paris
(online exhibition review)
“Legacy of Decency. Rembrandt, the Jews and the Danes”
At Elverhøj Museum of History and Art, Solvang, CA. (review)
Human or Man-Made Material: “The Allure of Matter” Visits Chicago
At Wrightwood 659 and the Smart Museum, Chicago. (review)
“Chicago Streets and Ways”
At Hofheimer Gallery, Chicago, through April 25, 2020. William Dolan and Karen Perl. (review)
Artoma: The Art of Cancer
At Chicago Art Department, Chicago. Michael Gallagher, Eileen Powers, Nancy VanKanegan, Barbara Youngquist,, Richard Zeid. (review)
Different for Girls: “Touch Your Mirror” Reflects on Female Adolescence
At EXTRA Projects, Chicago. Jessica Frances Martin and Taylor Morgan.
Walls of Prophecy and Protest: William Walker and the Roots of a Revolutionary Public Art Movement
by Jeff W. Hubner, Northwestern University Press. Book Review. (review)
At Siblings, Chicago, from December 13, 2019 through January 18, 2020. Matt Morris, curator. (review)
March/April 2020 (PDF of current issue available on our Archive page)
One After 909 Gallery, Chicago
Point, Line, and Plane: Andrea Zittel's Spatial Investigations
Carnegie Mellon's Miller Institute of Contemporary Art, Pittsburgh
Palette & Chisel Academy of Fine Arts—Faculty Showcase
Palette & Chisel Academy of Fine Arts, Chicago
Intuit Gallery, Chicago
Crossman Gallery, University of Wisconsin-Whitewater Crossman Gallery, Whitewater, Wisconsin
Renaissance Society, University of Chicago
Museum of Jurassic Technology, Culver City, California
Make a MONTHLY DONATION or a ONE-TIME DONATION via PayPal
SUBSCRIBE to the print version of the New Art Examiner via PayPal